Recently I meet with a white swan while walking in my neighborhood, residential area.
Although I imagined another entity while playing.
Recently I meet with a white swan while walking in my neighborhood, residential area.
Although I imagined another entity while playing.
The recordings of the 2nd and the 3rd movements were rejected "it might contain or be a copy of ...".
I uploaded them
https://note.com/pulchraflow1111/n/nd2d1779ee4a5
https://note.com/pulchraflow1111/n/neb4d35ddb7c3
After I played Ravel, I though I should play Mozart.
I didn't like Mozart so much when I learned them in my childhood.
I read the music note again.
I recorded it, heard how my electric piano sounded and changed how to use my fingers, the pedals, etc.
V - I
5, 1 3 5, 1 5 + 3
f - p
beat
characters
suspension
approach notes
no tensions,
but there are cases that tones are not harmonized each other other than technical ones, I felt
The 3rd movement, Turkey march, is very famous.
I was bored.
However, to write a song, a music piece, I think, some inspiration, impression, astonishment or etc. may need.
The order of recording was the 2nd, the 3rd, and then the 1st.
I played the 1st movement while listening mantras and sounds of the anime which my family was watching in the room after I took a bath to clean myself. It is hard to concentrate, but that may be necessary because that is one of elements, conditions.
Major -> Minor ............. Major
7th, M7th, 9th, 13th,
5th
Dance
beat time,
elegant, long ago
bow
females and males, princess and princes,
feather, wing
Recall, remember,
distant, ago,
deeper
Although it can't be heard, because I recorded it by my electric piano recording system, I play it while hearing "okyou" (sutra) to clean air in my room.
I practiced the four hands version, although I didn't do double-recording of the 1st and 2nd piano because some timings were not matched.
(I wrote a short story (in Japanese only) being inspired by this work.)
Ring, bells, Recall, remember, -> Inner, Deeper, Far -> Real, Now
I wrote a short story (in Japanese only).
I like this work. I play it differently each time I play it.
(I inserted this recording in a short story (in Japanese only) which I wrote.)
I first played this work with my piano teacher at that time after I become an adult.
This time, I found many elements, items (motif, rhythm, etc.) which I didn't notice.
Further, I made sounds as carefully as I and my electric piano can.
How to play melody smoothly, emotionally, etc.,
My hands are not so big.
Which tone is the bass, Which tone of the left hand should be harmonized,
How to proceed,
If it is too fast, I can't play it. If it is too big, my electric piano can't sound it.
This was more difficult than Lullaby of Faure to play by myself. In Lullaby of Faure, accompaniment parts and melody parts are divided.
First I recorded the Seconda part and next played the Prima part while listening the Seconda part. I repeated that to adjust the Seconda and Prima parts.
First, I recorded the 2nd part in my electric piano. Next, I connected my recorder to my electric piano to replay the 2nd part and play the 1st part.
This was the first time that I played it. I practiced it and thought I learned something from Faure.
(I wrote a short story (in Japanese only) being inspired by this work.)