Recently I recorded Faure's Dolly suite for four-hands by double-recording.
I improvised using the same method.
First, I played and recorded on my electric piano.
Cm and so on.
Then, I played the recording once, and after that I played improvisation while listening to the recording, and continued playing after the recording.
Black flat keys, clusters, Ｄ♭ and so on.
It brought back memories of when I had played in a small free jazz band on weekends in a tiny live house.
These past few days I slightly practiced Vierne Nocturne, Ravel Ma mère l’Oye and so on.
The title is Beyond, Dokoka-he, but it doesn't carry much meaning...
最近、連弾曲を、自分の録音（左側奏者）を聴きながら、弾く（右側奏者）ということをしていた。ちょっと神経を使う。
なので、てきとーに弾いてみる時にも、二重録音してみようかと思った。
artwork
https://pixabay.com/photos/throw-stone-colorful-night-summer-6781567/