Saturday, January 10, 2026

Oesten: Dolly's Dreaming and Awakening オースチン:人形の夢と目覚め



Digital Piano: KAWAI CA9500GP (442Hz, Loudness) 

Home Recording: ZOOM H1n-VP (48kHz 16-bit WAV) 



This is one of pieces which I wanted to play and practiced in my childhood.  


This time, I changed sounds for parts. 

Cradle Song: Concert Piano 1 <- the usual sound

Dolly's Dream: Crystal Piano 1

Dolly Awakes: Pop Piano 1

Dolly Dances: Celesta

Ending: Studio Piano 1



I recorded pieces from Faure's Dolly Suite in  last December.

https://pulchraflow.blogspot.com/2024/02/faure-lullaby-from-dolly-op56.html

A new year has begun.   'dolly' has awakened? 





Friday, January 9, 2026

260109 improvisation, just waves, 即興




Digital Piano: KAWAI CA9500GP. 442hz, Loudness

Home Recording: ZOOM h1nvp 48k 16bit wav



An idea of title "what is behind the brightness, just patterns" occurred to me while listening the improvisation.  

However, I changed the title.    


The original improvisation was over 10 minutes.  I have cut the first 21 seconds.  


Fa Mi Do

Flat keys, B♭ etc.




Saturday, December 6, 2025

Toward, 251206 improvisation (single and double-tracking) 即興 どこかへ 二重録音を途中から使って

 


Recently I recorded Faure's Dolly suite for four-hands by double-recording.  


I improvised using the same method.  

First, I played and recorded on my electric piano.  

Cm and so on.

Then, I played the recording once, and after that I played improvisation while listening to the recording, and continued playing after the recording.

Black flat keys, clusters, D♭ and so on.

It brought back memories of when I had played in a small free jazz band on weekends in a tiny live house.  


These past few days I slightly practiced Vierne Nocturne, Ravel Ma mère l’Oye and so on.


The title is Beyond, Dokoka-he, but it doesn't carry much meaning...  



最近、連弾曲を、自分の録音(左側奏者)を聴きながら、弾く(右側奏者)ということをしていた。ちょっと神経を使う。

なので、てきとーに弾いてみる時にも、二重録音してみようかと思った。





Monday, November 10, 2025

Louis Vierne: Suite Bourguignonne, Op.17, ルイ・ヴィエルヌ ブルゴーニュ組曲

 I asked an AI web servece for piano pieces from the time Debussy was living that I didn't know.  Based on the results, I read music sheets on IMSLP.  I thought I might like pieces by Vierne, downloaded his music books, and played them.  

I decided to perform the work "Suite bourguignonne".  I think the work is brighter than other works of him.  


Also, I decided to perform the work "Silhouettes d'enfants, Op.43".  I recorded it first. 


I thought that I heard this music "Suite bourguignonne" before, but I realize I hadn't truly listened to it.


I found that some notes and sounds were unfamiliar to me.   



I've not been to Bourguignonne.



1.Aubade 

E A, B

La Mi Si #Fa #Do #So #Re ?


7th


the last, E



bright, clear, joy, 

calm


practice: played each tone of double-note accompaniment with both hands, played the double-note accompaniment with non-legato with the hand, played left-hand octave part first and played right-hand part over it, etc.


Since I think that loud dynamics like ff, fff cannot be achieved on my electric piano, so I considered how to play the parts to sound as if they were ff, fff.

I think that the una corda pedal doesn't produce good sound and it sounds rather blurry on my electric piano.  I refrained from using it for this piece.  



2.Idylle 

Fa


practice: played the left-hand part with both hands, etc.


No.3 Divertissement

Once I stopped practicing this piece.  But I found I still remembered it.  So I decided to record it.


Note patterns and sounds of this piece were unfamiliar to me.  I practiced it in various ways.  


I had been playing a left-hand triplet and 8th note, arpeggio as a single chord, trying to grasp it all at once.   However, that put a strain on my left hand, especially beyond an octave.  So I played arpeggios as arpeggios.


I used una corda as indicated, though I feel that it doesn't produce good sound on my electric piano.



diminished unison, third, etc. 

7th


interval, 

pleasant, amusing, 


streaming


light



No.4 Légende bourguignonne


. 1 2 3 4 5 1 2 3 4 5 ...

1 2 1 2 3 1 2 1 2 3 ...


Im  /V

I7 V7


I imagined something more general - legend, time, space, long ago and so on.

I used una corda as designated, though I feel it doesn't produce good sound on my electric piano.


No.5 A l'Angelus du Soir


#Do


I've never heard the Angelus.  

But I've heard temple bells, or ringings before prayers at shrines.


I used cathedral reverb on my electric piano.







6.Danse rustique


+5, whole tones



practice: played the left-hand part with both hands,  recorded the left-hand part and played the right-hand while listening to the recording,  used various sounds to create images, etc.


I think that the una corda pedal doesn't produce good sound and it sounds rather blurry on my electric piano.  I refrained from using it for this piece.  



7.Clair de Lune


piano and vocal?  violin?


"The moon is beautiful" ??

generally, night sky and the moon?

"Kaguya-hime"?


practice: played the tones other than the melody with both hands, etc.


continued the melody with fingers as much as possible

played the arpeggio with non-legato touch even under slurs,due to electric piano's sounds





初めに、全曲弾いてみた。

次に、始めの4曲を主に練習した。

それから、後半の3曲を主に練習した。

特に速い曲は、3曲目は出だしから馴染みのない感じだったので、譜面をみながら弾けるようにして、それから、譜面を見ていると遅いので、覚えるようにした。6曲目は意外と覚えやすかった。

練習してある程度弾けるようになったが、真ん中の3曲は録音しないことにした。

最初の2曲と最後の2曲を録音してアップロードした。

そのあと、何気なく3曲目を弾いてみたら覚えていた。そこで、真ん中の3曲も録音することにした。

それぞれ、メトロノームや、ノン・レガートで音を確認して整理しながら弾きなおした。

それから、録音した。自由に弾くことにした。

そのあとで、最初の2曲を弾いてみたら、前よりも滑らかに弾けるような気がした。
なので、録音しなおした。また、artworkも選びなおした。






Monday, October 13, 2025

Louis Vierne: Silhouettes d'enfants, Op.43 ルイ・ヴィエルヌ 子どもの影

 







I asked an AI web service to suggest piano pieces from the time Debussy was alive that I had not known.  Based on the results, I read sheet music on IMSLP.  I thought I might enjoy pieces by Vierne, so I downloaded his  piano scores and played them.


This work "Silhouettes d'enfants" has the simplest notation among them.

(Note that the work was composed in 1920, after Debussy had passed away.)

I think that the work has brighter aspects than his other piano works (exerpt for "Suite bourguignonne").


I feel that the work features fading piano tones than the resonance of organ  sounds.   


I thought that I heard this music before, but I realize I hadn't truly listened to it.


As this is my first time playing his work, I found that some note patterns  and sounds were unfamiliar to me.


(I listened to some of his works for organ and piano quintet.)



I didn't feel the pieces as they were relating to childlen, rather, I thought they were something else.  

I supposed that the composed had been sensing or feeling  silhouettes of children.


I played the pieces simply by reading the sheet music and imagining things that are not real or else.


I think that the una corda pedal of my electric pedal doesn't produce good sound, so usually I refrain from using it.  However, about this work, I think one of intentions behind una corda might have been for a change in tone color, like an organ, so I used it.  



I played the pieces in this way this time.  I hope that the composer wouldn't mind too much .... .




No. 1

waltz

fade, resonance


No. 2

walk

together


No. 3

chromatic

5, 6, 7

1, 3

♭5, #5, 7th, M7th, 

root

G


left hand part - right hand part


wind

kirakira


No.4

wave, stream, whirl, light, 

fade, resonance



No.5

ancient, modern

100 years ago, present

clear, blur 

bounce, step



子どもの影、シルエットということだが、どちらかというと、立体的に弾いてみた。