Tuesday, April 7, 2026

J.S. Bach: Italian Concerto, BWV 971 J.S.バッハ イタリア協奏曲, itsuka italia in F minor, 260423 arrangement


ZOOM h1n

These days, I organized data, artworks, etc.



I remembered a piano teacher with whom I studied as an adult at Kawai Omotesandou.  She recommended this suite - perhaps she liked playing it.  It was at that time that I finally learned it.   



I recorded this suite in 2023.  I played the 1st and 3rd movements on digital harpsichord.


I've been thinking about how to enjoy playing them (the first and third movements).

(I like the 2nd movement.)


This time I played all the movements on digital piano.  


I think that it is difficult to play since I may feel that in some parts the first notes of the right and left hands are not so harmonized well.


I found that I felt the score, as a set of shapes, may be beautiful - scale (big flows) and tiny  flows, etc.  


The piano teacher I mentioned said that she felt good whenever she played it well.  

This time I realized that whether I can play it through to the end may depend on the atmosphere and spirituality at the moment, as well as my physical condition and finger technique.



The above three tracks are the earliest recordings using ZOOM h1n.  

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The first movement (recording track using ZOOM h1n) received a copy right claim for using an audio of a CD.  I submitted a dispute.  
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ZOOM H1essential





I bought a new recorder ZOOM H1essential, 32bit floating.

This recorder is different from h1n, I felt the sounds were different. 
I tried recording several times.


For ZOOM h1n, I used to record on the digital piano first, then played it back to capture the audio on the recorder.
I had to adjust to the input volume on ZOOM h1n to avoid clipping, sometimes capture the same piece for several times while changing the input volume.

With ZOOM H1essential, there is no input level knob, it is 32bit floating, no need to worrie about clipping.
I found that direct recording to ZOOM H1essential may be better.  I connected a phone output to my headphones to play the digital piano and connected another phone output to ZOOM H1essential to capture it.   
In Audacity, I found that less processing may be better.   If peaks are too high, I simply apply Normalize.  Then, I export it as 48k 24bit wav. 




I made the track private because the sound (recorded with my digital piano and ZOOM H1essential) sounded a bit harsh.

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Arrange



I found that I felt easy to play J. S. Bach Italian Concerto BWV 971 the first and third movements if the key is in minor.

I played the third movement starting in F minor, adding lights (Major keys), and ending in F minor.  


F minor
F Major (original)
C minor
D minor (original)
C minor, A♭Major, D♭ Major, ??  - black flat keys, opt leading tones, 
A♭Major
F minor


itsuka italia

The title doesn't have a specific meaning.  

I think it may be a rhythmical phrase.

itsuka ikitai.  
I've never been to Italy.  I want to visit someday. 

ituka no italia.  
Sometimein Italy - ancient, or a past for someone, etc..


This track was recorded on ZOOM H1essential and the sound may be a bit harsh.

Sunday, March 29, 2026

260327 improvisation yuttari 即興



Near spring.  In spring?

The wind was still cold.

I saw sakura.



2026.03.29

Recently, I organized the data of tracks.  I created original artworks.  I refined titles of classical music track and tags of tracks.  and so on...

 Three years have passed since I began uploading a recording on soundcloud.



Saturday, March 7, 2026

260307 improvisation, gently spring is coming 即興 そろそろ春が

 

It is becoming warm, but the wind is still a bit cold, 


I played it while practicing modern classical pieces, 


started in E,

ended in A.


お花見はしていない が、桜餅は食べた。


Wednesday, February 25, 2026

Rameau: Les tendres plaintes  ラモー やさしいなげき


 I turned the pages of the book of Rameau I have, I decided to play the pieces titled 恋の嘆き, complaint of Love.

I'm not familiar with  meaning of "tendre" love in court culture of at that time.  

I imagined a more abstract emotion, feeling, .






Carte de Tendre

https://en.wikipedia.org/wiki/Map_of_Tendre

一番下にNouvelle Amilie.  そこから、真ん中Tendre-sur-Inclinationか、左上Tendre-sur-Reconnaissance,  右上Tendre-sur-Estimeに進んでいくらしい。

川の左側ルートだと、下の方にComplaisanceがある。そこから左上のTendre-sur-Reconnaissanceに向かう。


題名の"Plainte"は、嘆き、溜息の音型ということであるらしいが。

この地図の中にも、ずばりの言葉ではないけれども、書いてある。


Monday, February 16, 2026

260213 improvisation hirahira ひらひら

 

Digital Piano: KAWAI CA9500GP. 442Hz, Loudness

Home Recording: ZOOM h1nvp 48k 16bit wav




Today I found an game app of polyrythm.  I watched it without playing or  listening to pulses.   ......  it gave me  a stomachache...  

I decided to practice 3:5......., but ......  
I imagined flower petals fluttering dancing and shades while playing it. 

After playing it, I learned that 3 and 5 are the numbers of petals on many flowers.   

Wednesday, February 11, 2026

Satie: Gymnopédie  サティ ジムノペディ


Digital Piano: KAWAI CA9500GP. 442Hz, Loudness

Home Recording: ZOOM h1nvp 48k 16bit wav



This piece was composed and published in 1888.  
... three 8s.


This time, I slightly arranged (?) the piece.
First, I played Satie Gymnopedie No.1 in my own groove at the moment rather than exactly as noted, and recorded it on my digital piano.
Then, while listening to the recording, I added octave tones with the una corda.  I played octave tones - below the left-hand tones and above the  right-hand tones - and recorded it on my recorder.
(I think it may be a bit difficult for two people to play, as one player sit behind another player to reach lower and higher tones.)



Tuesday, February 10, 2026

260210 improvisation at Night 即興 夜に



Digital Piano: KAWAI CA9500GP. 442Hz, Loudness

Home Recording: ZOOM h1nvp 48k 16bit wav



I had been thinking about Satie's Gymnopedies ...  


Today I talked with AI, 

When I asked how to change the colors of an image, it generated an image of a imaginary paint tool with a non-existent title "3Dイカペイント".  The actual title of the 3D paint is "3Dペイント".  "イカ" was added which means a squid.  3D Squid Paint....?

While talking about characters, it said that "ピアノ" was five characters.  "ピアノ" is three characters.  "piano" is five characters.  It said that it prioritized "piano" in English language than "ピアノ" in Japanese.

It said that these are hallucination.
(It said that it was not so very good at drawing an image of a character yet, despite having a vast vast knowledge of text.)



Then, I began playing an improvisation using the rhythm of Satie's Gymnopedies. 



この曲をsoundcloudにuploadするとき、なかなか出来なかった。
track title、blogの内容を変更していた。そうしたら、出来た。

尚、夜に即興したわけではない。