Op. 118-1
Do ♭Si La, (C7?) -> Am?
cf) Do La, Do Si La, Do Si ♭Si La
La So Fa, (Am7?) -> F
Do ♭Si La So Fa Mi ♯Re ♮Re Do La ♭La So
A river is as lower as wider?
long chromatic approach
Dm7/E7/D? -> La the lowest La, A
Op. 118-2
#Do Si Re #Do Si La(↑)
ref) #Do Re #Do La
ref) #Do La (*)
+ La #So #Fa La #So #Fa
*) ♭Si So, Si So, Mi ♯Do
3rd, 6th
#Do Si Re
#Do Si Re
E7/A D
#Do Si La (↑+↓)
Op. 118-3
< <
*1*2*
elegant
light
joy
rather than just strong
bounce
rather than push, slap, or etc
I practiced it for example,
- played each tone of the harmoney tones,
- played tones continuously without staccato,
- played each tones clearly while listening rhythm patterns in my electric piano, hip-hop, etc.
- imaged orchestra as a conductor.
Op. 118-4
in the middle part, bass and tenor precede or follow.
in the latter part, harmony is added to the theme.
Fm -- ( A♭ --- C7 ) ---- Fm ----- F
Do Do Do
Fa Fa Fa
calm
move
shade
three-dimensional
emphasis
respond
play like kneading?
slide a finger from the edge of the key (near my body) away my body.
Op. 118-5
night
calm, light
cafe
stars
although Brahms, I played it very small sounds.
Op. 118-6
