Scriabin Prelude Op.37-1 スクリャービン プレリュード

pulchraflow · Scriabin Prelude Op.37-1 スクリャービン プレリュード

 

I played it when I had only one of scores of Scriabin, Preludes.  After that I bought several scores.

(I inserted this recording in a short story (in Japanese only) which I wrote.)

スクリャービンの楽譜はプレリュードだけ持っていたとき、幾つか弾いてみた曲のうちの一つ。

Debussy Hommage a Rameau from Image 1er ドビュッシー 映像１より ラモーを讃えて

pulchraflow · Debussy Hommage a Rameau from Image 1er ドビュッシー 映像１よりラモーを讃えて

I recorded it again.

At the first time of uploading, I thought 

I traveled to Paris only for a few days.  I went to museums and the new and old Opera concert hall (l'Opera).  In the old Opera hall, I saw a statue of Rameau.  The program was a ballet or opera of Rameau which ticket I bought at that day.  The stage was filled with vivid colors, bright and light.

I imaged portraits of Rameau and Debussy.  While I was playing it, I thought there might have been also another thing than Rameau, I don't know, in the mind of Debussy. 

However, at this time, I didn't thing anything.  I just played it.

Practicing Ravel  Pavane pour une infante défunte　　helped me.

I should play harmonies more clearly if I play a better piano in a better environment.  

what dance did i want to do?, 240117 improvisation, どんなダンスをしたかった？ 即興

pulchraflow · what dance did i want to do?, 240117 improvisation, どんなダンスをしたかった？ 即興

 

I practice Sarabandes recently to play "Hommage a Rameau".  When I began to adlib, I thought "what dance".  I thought "what dance do I want to do" is more positive and light, however, I wanted to include an element of recalling so I wrote it in the past tense.  "dance" is a metaphor, needless to say.

J.S.Bach Sarabande from Partita 2 BWV826 バッハ サラバンド パルティータ２より

pulchraflow · J.S.Bach Sarabande from Partita 2 BWV826 バッハ サラバンド パルティータ２より

The recording was rejected as a copy of  Rich... Goo.. .

I wrote a message to SoundCloud and the track was uploaded.  

I uploaded 

https://note.com/pulchraflow1111/n/n34fca1c35702

I imaged despair and hope. 

録音した結果がきれいになるために、指の強弱やペダル

-　はもる音

-　はもらない音

　　-　和音の中の音

　　-　和音外の音

メトロノーム

速度の正確さというより、リズムセクションの代わりとして。

Rameau 1re-2e Sarabandes ラモー サラバンド

pulchraflow · Rameau 1re-2e Sarabandes ラモー サラバンド

 

I practice "Hommage a Rameau" now.  I opened a book of Rameau which I have, and decided to play one of Sarabandes since "Sarabande" is written in "Hommage a Rameau".

432hz

02:22

Debussy 3. Movement from Image 1er ドビュッシー 映像１より動き

pulchraflow · Debussy 3. Movement from Image 1er ドビュッシー 映像１より動き

I recorded it again.

At first time, I thought lots of things. like that

I tried to play it as if I take a walk, and tried to play it as lightly as possible.  While taking a walk, a rainbow?, a new park?, a new cafe? etc. maybe found.  I felt that Debussy maybe felt some movement, something astonishment in the social situation. 

At this time, I focused on playing it.

I watched hands of pianists playing it without sounds on YouTube.  I understood feeling, mood, energy.

I tried to feel joy, beauty rather than difficulty.

Debussy wrote "legerete fantasque mais precise".

I used the pedal, however, I should not use a pedal too much if I play a good real piano.

In the beginning part I come my left hand under my right hand because my left hand is not large to play it while coming my left hand over my right hand.

Since I knew that this work is joy rather than difficulty, I will maybe play it more.