Tuesday, December 10, 2024

Schubert Impromptus シューベルト 即興曲 Op.90, D.899

My piano teacher in my childhood (5 years old to high-school student) said "let's play this No. 2 and No.4 next" when I was 10 or 11 or 12 or I didn't remember but my fingers and hands were not so big as today.  I thought they were like etudes of Czerny!!!  I practiced them harder than other works because I didn't want to play them so long time/days and wanted to play another work soon.

  

I read again Schubert Impromptus.

I liked No.1 and No.3 which I have not played before.

I practiced No.3 and No. 4, too because I think now I might like them or not...


I began recording from No. 3 and No. 4, then No. 2 and No.1 at the last.



No. 1



So ---->  Do Do  ---->  So So   So So


not too dark, heavy, serious, but not light 


impromptu


something which includes many something come and go in a instance

or

taste, experiense slowly

or


cocoon


multiple layers


a roof of a building, or

a step in a forest in a fantasy world, or

in a hall of a modern building, or  




However, in this recording, I thought nothing.  


emotions in the depth

tiny shining

melody changes, tones, harmonies
  atmospheres or followers change


alto then alto - soprano

D7/C -> C



No. 2

E♭---->E♭m

3/4
123123123


bass changes - tenor the same tone

long melody 
bass (tenor) - soprano

for example, bass mi re do with respect to soprano do re mi

zf

wind, various winds?




No. 3


not dark -> light, bright, lightly calm,

walk, swingging, humming, wind, grass, etc.

just play 


Soprano-Bass, or Bass tones  5th, 8th, non-harmonized tone, 



No. 4


I wanted to play it as it is not an etude of child.


A♭m---->A♭


V-I


3/4

123412341234

chains (of necklace?)

clear/transparent glass/container

elegant dance

grass, wind

big sacred hall

then, 

a little sad, actually very sad

city

cold


then,

continuing