After I played this improvisation, "ambivalent" came up to me. What is ambivalent? My right hand played and my left hand played, but my both hands did not play differently I think.
Today is Hina-matsuri.
ひな祭りの歌をてきとうに弾いてから、即興しました。アンビバレントという言葉が思いつきましたが、何の意味だったか忘れていました。検索して、そんなにアンビバレントでもないけどと思いましたが。
I heard this music in a bakery in the nearby station a couple days ago.
近くのパン屋でレジをしているとき、ジャズが流れていたのに、この曲が流れ始めて、びっくりしました。思い出して、弾いてみました。
Op. 118-1
Do ♭Si La, (C7?) -> Am?
cf) Do La, Do Si La, Do Si ♭Si La
La So Fa, (Am7?) -> F
Do ♭Si La So Fa Mi ♯Re ♮Re Do La ♭La So
A river is as lower as wider?
long chromatic approach
Dm7/E7/D? -> La the lowest La, A
Op. 118-2
#Do Si Re #Do Si La(↑)
ref) #Do Re #Do La
ref) #Do La (*)
+ La #So #Fa La #So #Fa
*) ♭Si So, Si So, Mi ♯Do
3rd, 6th
#Do Si Re
#Do Si Re
E7/A D
#Do Si La (↑+↓)
Op. 118-3
< <
*1*2*
elegant
light
joy
rather than just strong
bounce
rather than push, slap, or etc
I practiced it for example,
- played each tone of the harmoney tones,
- played tones continuously without staccato,
- played each tones clearly while listening rhythm patterns in my electric piano, hip-hop, etc.
- imaged orchestra as a conductor.
Op. 118-4
in the middle part, bass and tenor precede or follow.
in the latter part, harmony is added to the theme.
Fm -- ( A♭ --- C7 ) ---- Fm ----- F
Do Do Do
Fa Fa Fa
calm
move
shade
three-dimensional
emphasis
respond
play like kneading?
slide a finger from the edge of the key (near my body) away my body.
Op. 118-5
night
calm, light
cafe
stars
although Brahms, I played it very small sounds.
Op. 118-6
New Year Waltz?
decline melody <-> upward
Mi Re ↓ <-> Mi So Re ↑
Root - Melody
7, 9, 11?
Root - harmony 1 2 3
it starts from p, pp, then
I practiced Op. 90-2 of Schubert...
After I played this improvisation, a phrase "please dance" came to me.
My piano teacher in my childhood (5 years old to high-school student) said "let's play this No. 2 and No.4 next" at the age of, when I didn't remember, but my fingers and hands were not so big as today. I thought they were like etudes of Czerny!!! I practiced them harder than other works because I didn't want to play them so long time/days and wanted to play another work soon.
I read again Schubert Impromptus.
I liked No.1 and No.3 which I have not played before.
I practiced No.3 and No. 4, too because I think now I might like them or not...
I began recording from No. 3 and No. 4, then No. 2 and No.1 at the last.
No. 1
So ----> Do Do ----> So So So So
not too dark, heavy, serious, but not light
impromptu
something which includes many something come and go in a instance
or
taste, experiense slowly
or
cocoon
multiple layers
a roof of a building, or
a step in a forest in a fantasy world, or
in a hall of a modern building, or
No. 3
not dark -> light, bright, lightly calm,
walk, swingging, humming, wind, grass, etc.
just play
Soprano-Bass, or Bass tones 5th, 8th, non-harmonized tone,
No. 4
I wanted to play it as it is not an etude of child.
A♭m---->A♭
V-I
3/4
123412341234
chains (of necklace?)
clear/transparent glass/container
elegant dance
grass, wind
then,
a little sad, actually very sad
city
cold
then,
continuing