John Field Nocturne フィールド ノクターン

pulchraflow · John Field Nocturne No.5 フィールド ノクターン 第５番

 

The first time I play John Field.

In an era without phones and Internet, if I were far from my hometown, what would I think seeing the night sky.

John Field  Nocturne No.7  フィールド　ノクターン　第７番

pulchraflow · John Field Nocturne No.7 フィールド ノクターン 第７番

right hand: light, warm, gentle,  stars,

left hand: melody thumb, a bit strong

"1" - 2 - "3"

cradle

repeat, continue, 

no (nearly no) intentions, just moved hands

John Field  Nocturne No.11  フィールド　ノクターン　第１１番

pulchraflow · John Field Nocturne No.11 フィールド ノクターン 第１１番

left hand: the same notes in 1 2 "3" 1 2 "3" 1 2 "3" 1 2 "3"

legato, non-legato, harmony, melody, 

right hand: light and stiff, or soft and heavy, or ,

hypnotic -> a bit emotional

long long ago

different world, setting, route,

John Field  Nocturne No.12  フィールド　ノクターン　第１２番

pulchraflow · John Field Nocturne No.12 フィールド ノクターン 第１２番

left hand: legato of non-legato

vast

stars, stella,

the night in a country where I have not been to

When I replayed this recording by my electric piano with the speaker (without the headphone), my family was very sleepy and slept, and said "once more", I replayed it again, and then he slept again. 

伴奏型が異なる曲を。フィールドの楽譜を弾いてみて（いい曲かもな～）と思って練習してみた曲です。

John Fild, Listz transcription Nocturne No.5 four hands double recording フィールド＝リスト編曲 ノクターン 第５番 連弾 二重録音

pulchraflow · John Fild, Listz transcription Nocturne No.5 four hands double recording フィールド リスト編曲 ノクターン第５番 連弾

 

The first time I play John Field.

I found this Listz transcription.

I first recorded Seconde in the system of my electric piano, then played Primo playing the Seconde to record in my recorder.

先に、この連弾を録音しました。まずSecondeを電子ピアノに録音して（弾きやすいように、一部、SecondeにPrimoを混ぜて先に録音しました）、それを再生しながらPrimoを弾いたものをレコーダーに録りました。

その後、原曲を録音しました。リスト編曲とは違う感じで弾きました。

241012 improvisation so,then ... 即興 だから

pulchraflow · 241012 improvisation so,then ... 即興 だから

 (Now I'm practicing one of Debussy's work which I have been playing for a long time.)

"dakara?" was come up to me after playing this improvisation.  

Debussy L'Isle joyeuse ドビュッシー 喜びの島

pulchraflow · Debussy L'Isle joyeuse ドビュッシー 喜びの島

 

The first time I played it (although it contained many mistakes maybe) is xx years ago when I entered university and joined one of piano clubs in the university.  

After yy years, I started to learn classic piano again and lessoned it with my piano teacher who I had learned many years.  The teacher was  different from my teacher in my childhood since she had gone, she was an elder lady in my childhood.  

I like playing it, though it is difficult.

#5

 whole tone

 chromatic

3rd

A

A13,  A7 ♭13, A9 13

7th inner harmony

long bass, + V-I, IV-I, VII-I, ♭II-I,,,

Lydian (?) + ... 

https://note.com/pulchraflow1111/n/nb9b291033e2e

light, flexible, 

 waves, lights, winds, 

the sun

trees, leaves,

spirits

move shoulder blades smoothly

a point/area between the shoulder blades

sacrum

root chakra

楽譜立てには、どこかのお店で買った、オーケストラが描いてある五線譜ノートの表紙を置いておきました。　https://www.musenet.co.jp/365473　

241011 improvisation hello to ... 即興

pulchraflow · 241011 improvisation hello to ... 即興

 (Now I'm practicing one of Debussy's work which I have been playing for a long time.  I found that I memorized miss tones, so I memorize tones again and practice.)

"hello to" was come up to me after playing this improvisation.  

Recently I bought trees and placed them in my room.  I said hello to the trees.